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Dress Like a Professor: The Office Kit

Posted on by Brooke Lester

It's not easy to dress like a grown-up in the academy. Conditions vary, hours are long and irregular, and salaries encourage instructors to conserve rather than replace. This has led me, over time, to develop an "office kit" to cope with the daily challenges of "dressing like a professor."

The Kit

Dedicated walking shoes: I keep a "dedicated" pair of shoes at work: brown Rockport walking shoes. I chose a pair that looks enough like dress shoes to get by, and they are amazingly comfortable for walking and standing all day. They take shoe shine, so I keep one of those Kiwi sponge-top bottles of instant polish in a desk drawer. I also keep a couple of spare pairs of shoelaces there, in case of a midday shoestring blowout. A dedicated pair of shoes, kept at work away from the wintry elements, makes my work shoes last longer.

Shoe care again: When I change shoes, a little Lysol gets sprayed into the pair I'm removing, bowling-lanes-style. Yes, I wash my feet. It's a small office, and I'm like the proverbial frog in the pan of water: if I think I'll notice when things start to get smelly, I'm fooling only myself.

Good, curved hangers in the closet: I remove my blazer or suit jacket several times each day. Also, once a week, I go straight from work to teach Taekwon-do in the elementary schools, changing out of my work clothes before leaving and packing out out my suit or blazer and pants. So, I always keep several hangers in my office closet: not cheap wire hangers or even the plastic ones, but the nice curved ones that come with a suit or blazer. These keep the shape of the shoulders properly, even when I'm carrying my suits and blazers around or hanging them in the car.

Lint brush and soda water: I like a real lint brush more than the sticky-paper kind, because my principal enemy is chalk dust. A six-pack of soda water with a dedicated clean handkerchief stands ready to take out small stains (including the spot of blood on my collar that I missed in the bathroom mirror that morning).

Change of shirt and tie: This is a work zone. There is coffee, soup, mustard, chalk dust, toner, ink, and every manner of hazard. I haven't yet had to draw on the dress shirt, slacks, and necktie that I keep hanging in the closet, but I'm always glad to see them there.

Climate control: Three words: brown cardigan sweater. Great for relaxing in a drafty office, and in a pinch can substitute for a forgotten blazer.

Casual clothes: This may be overkill, but I like to keep a set of season-appropriate casual clothes (jeans, long-sleeve tee) folded in a drawer, just in case I want to go somewhere after work without looking like like Ward Cleaver.

What about the adjuncts?

For several years, I shuttled between schools as an adjunct, walking and taking public transportation. None of the schools had an "adjunct office." What can the vagabond adjunct do to reduce wear and tear on the work clothes that he can't afford to replace?

  • Resist the temptation to "dress down" as an adjunct: having less real power, the trappings of power are more important to you, not less…they are just much harder to maintain.
  • Wear walking shoes instead of dress shoes. Even "comfortable" dress shoes are murder as the miles rack up, and they also fall apart under hard use. If you can't arrange a change-of-shoes routine, then plan to go through your walking shoes annually, especially if you walk to work or take public transportation. When you buy a new pair, keep the beat-up ones for casual use.
  • Wide, padded shoulder straps that won't cut into the shoulders of your blazer or suit jacket. Consider a backpack with a hip-belt suspension system, which will take the weight off your shoulders altogether. (If you protest that you'll look like a dork, I'm afraid that I have bad news for you.) This will also save your back, and since you don't have health insurance and don't have time to be laid up with spasms, seriously: consider the hip belt.
  • See if a friendly office secretary has a place for you to keep your wet boots, umbrella, and coat while you're on campus. Or, if s/he can wrangle you a commuter locker, even if those are reserved for students. Similarly, is there a safe place to keep your large and heavy books on campus when you don't have a reason to drag them home? The less you have to carry everything all the time, the easier it is to keep the clothes on your back unrumpled and in good repair.

As a man, recognize that I enjoy my culture's relative clarity and stability concerning a man's "uniform" in the academy. I would especially love to see women instructors round out my suggestions for the "kit" in the Comments. Thoughts from anyone? Improvements?


[Dress Like a Professor: The Office Kit was written by G. Brooke Lester for Anumma.com and was originally posted on 2013/10/17. Except as noted, it is © 2013 G. Brooke Lester and licensed for re-use only under CC BY-NC-ND 3.0.]

My Other Blog is a Seminarium Blog

Posted on by Brooke Lester

Much of my recent work is at Seminarium Blog, a group blog about pedagogy in religious studies (higher education). Seminarium is a creation of Fortress Education. I have added a page to Anumma, linked in my sidebar, pointing to my recent writing and vlogging at Seminarium.

I haven't walked away from Anumma blog, though I am definitely in one of those periods where Anumma is eclipsed by the rest of my writing life: Seminarium, scholarship projects, student assessment, administrative writing, etc. It's not my first fallow period here--as Anumma has evolved from solid Old Testament and ancient Near East studies, into "biblioblogging," into Hebrew Bible and higher education, and increasingly into digital learning--and, insh' Allah, won't be the last. Thanks for reading, keep me in your feed, and come visit us over at Seminarium!

What's a Little Unfriending among Friends?

Posted on by Brooke Lester

Like many other Facebook users, I have a lot of Friends that I don't interact with much; or, I find that my Friends list has come to be at crossed purposes with what I'm trying to get out of Facebook. After all, most of us developed our network of Facebook Friends when the service was new. Not only did we not yet have an idea of where our Facebook use was going, but Facebook itself has changed a lot in the meantime.

These are the considerations going into my upcoming Great Facebook Friends List Slash and Burn:

Does this person have another way to reach me? For example, if I know them as a colleague or former student at Garrett-Evangelical, then they either have my contact information, or can always reach me through the school. Not only that, but a Google search of my name will yield my web site, which has a Contact Me tab (or my YouTube channel, where they can comment; or my Academia.edu page, which includes a phone number; or…). So--might as well face it--everyone can reach me. There is no one who really needs to be my Facebook Friend in order to contact me.

Have this person and I interacted in the last year or so? Have we commented on one another's Updates? Have we Messaged each other? Do we interact offline or in other environments like Twitter? If I do interact with this person, on Facebook or elsewhere, then I'd like to preserve the Facebook Friendship.

What about former students? This is a hard one. I really do not want to send an implicit (and erroneous) message to former students that I am ready to forget about them, or worse, that I only reciprocated their Facebook Friendship perfunctorily or grudgingly. But, look, they're not my students any more, they are free citizens. In some cases, we have continued to interact with one another (see above). In other cases, we haven't. Former students can reach me by other means, just as anyone else can. I especially welcome them to do so, including those whom I Unfriend after years without interaction.

What about current students that I don't know well? Sometimes current students whom I don't know choose to issue me a Friend request, then do not interact substantively (or at all) with me. But, hey, hope springs eternal: maybe tomorrow. Maybe I could Like or Comment on something of theirs and something might come of it. What the hey. Keep 'em.

As I have said previously, nobody can say authoritatively what "Friending" on Facebook is. Don't let me, or anyone else, tell you what your experience of Facebook, or of Facebook Friending, has to be! Only through their continuing decisions do users decide for themselves what "Friending" can be, or what it will become.


[What's a Little Unfriending among Friends? was written by G. Brooke Lester for Anumma.com and was originally posted on 2013/02/15. Except as noted, it is © 2013 G. Brooke Lester and licensed for re-use only under CC BY-NC-ND 3.0.]

Interliterary Allusion as Figure: a Core Bibliography

Posted on by Brooke Lester

This is a "starter" set on interliterary allusion, defined as a figure akin to metaphor generated between two texts by the design of the alluding text. A good idea is to start with Ben-Porat, then work through the remaining set chronologically. There is much else out there on allusion, but I would say that this core bibliography serves as excellent preparation even to works that precede Ben-Porat.

Ben-Porat, Ziva. "The Poetics of Literary Allusion." PTL: A Journal for Descriptive Poetics and Theory of Literature 1 (1976):105-128.

Conte, Gian Biagio, and Charles Segal. The Rhetoric of Imitation: Genre and Poetic Memory in Virgil and Other Latin Poets Cornell Studies in Classical Philology; V. 44. Ithaca: Cornell University Press, 1986 [original 1974].

Garner, Richard. From Homer to Tragedy: The Art of Allusion in Greek Poetry. London; New York: Routledge, 1990.

Johnson, Anthony L. "Allusion in Poetry." PTL: A Journal for Descriptive Poetics and Theory of Literature 1 (1976):579-587.

Kronfeld, Chana. "Allusion: An Israeli Perspective." Prooftexts 5 (1985):137-163.

Perri, Carmela. "On Alluding." Poetics 7 (1978):289-307.

Sommer, Benjamin D. A Prophet Reads Scripture: Allusion in Isaiah 40-66. Stanford, Calif.: Stanford University Press, 1998.


[Interliterary Allusion as Figure: a Core Bibliography was written by G. Brooke Lester for Anumma.com and was originally posted on 2012/11/19. Except as noted, it is © 2012 G. Brooke Lester and licensed for re-use only under CC BY-NC-ND 3.0.]

Fear and Anger in DigiWriMo

Posted on by Brooke Lester

Remember when we all used to apologize for "not blogging lately"? In those days, readers would have to click all the way over to your blog (uphill both ways, in the snow) in order to see whether you had posted anything new. So, we felt guilty if there wasn't always something waiting for them, to justify the trip. I think that, by now, we all know about "readers" and RSS feeds: as long as someone still kicks out a blog post from time to time, we can keep their feed in our reader of choice, and it doesn't matter if a few weeks pass between posts.

So this isn't an apology. What it is, is an observation, or a pair of them. This month is Digital Writing Month, and I am doing my poor best to write 1,667 digital words each day. (I won't get to the whole 50k-in-the-month: if I don't manage the quota for a given day, then I start fresh the next day without trying to make it all up.)

A lot of days this month, I don't succeed. One of the reasons I already knew about, but it's worth holding up for attention during Digital Writing Month. The other, I guess I knew that too.

Observation 1: If I do not write, it is often because so many other people have control over my calendar.

This is what Merlin Mann would describe as the bigger-picture "In box" problem: an In-box is anything in your life (not just email) where people can drop stuff that thereby becomes your problem. For contingent and junior faculty, it can be super frightening to say No to anything. When you're afraid, your whole life is an In-box: an ever-increasing list of items that are "unknown, ambiguous, or incomplete."

Observation 2: If I do not publish, it may be because I am angry.

There's a reason that so many bloggers in academia are pseudonymous. They are in a position to write freely, in a semi-ranting mode (or even full-tilt), about things that are happening now in their courses, or among their faculty colleagues, or in their administration, or among their institution's partners. We "nymous" bloggers aren't so free. For the most part, when something gets right under our skin, we need to process on it a while, to detach, before being able to write on it publicly. And anger doesn't compartmentalize: when I'm well ticked off about one thing, it colors the way I write about anything. Fortunately, I consider unpublished ranting Drafts to count toward my Digital Writing Month total.

I consider these reflections to be a mark of how good Digital Writing Month has been for me so far this November. We're all so busy, it's not easy to stop and pay attention. I've got some decisions to make about this In-box business and the things that bother me, and Digital Writing Month helps me see them more clearly every day, both on "good writing days" and on the other days as well.

Is there anything that Digital Writing Month is helping you to see more clearly?


[Fear and Anger in DigiWriMo was written by G. Brooke Lester for Anumma.com and was originally posted on 2012/11/14. Except as noted, it is © 2012 G. Brooke Lester and licensed for re-use only under CC BY-NC-ND 3.0.]

Digital Writing Month: My Plans

Posted on by Brooke Lester

Today marks Day One of DigiWriMo (Digital Writing Month), in which I try to write 50,000 digital words during the month of November. DigiWriMo is inspired by the concurrently-running NaNoWriMo (National Novel Writing Month), and is the brainchild of Jesse Stommel and Sean Michael Morris of Marylhurst University.

So what are my plans for DigiWriMo? These:

  • Blog posts like this one. Some blog posts I will publish, and others I will bring to Draft status and keep in the can. I also have a number of drafts already in progress that I can work at.
  • Finish my self-paced online course. I am enrolled in the 10-CEU Professional Certificate in Online Teaching course (University of Wisconsin-Madison), and have been stalled on the last two projects of this course for months. So, now's my chance to treat it as a priority and finish up.
  • Keep my SBL/AAR presentation in progress. This happens in only two weeks, but I'd like to do a lot of free writing on the project and see how that causes me to continue revisions between now and the day I present. Once it's been delivered, I'll record an a/v version for YouTube.
  • I've had an idea for a biweekly newsletter, and have even drafted the first issue. I'd like to re-visit that first issue, then also get a bunch of features drafted for later issues. I'll feel better about launching that project if I've got several articles "in the can."
  • Tweet a bunch, as usual and maybe more. Keep a hand in on the DigiWriMo Facebook page.
  • Where possible, participate in events planned by the good folks at DigiWriMo.

So there are my first 400+ words (including Markdown markup), toward a daily goal of 1667+. Are you participating in DigiWriMo (or NaNoWriMo, or any other WriMo)? What are your own plans?


[Digital Writing Month: My Plans was written by G. Brooke Lester for Anumma.com and was originally posted on 2012/11/01. Except as noted, it is © 2012 G. Brooke Lester and licensed for re-use only under CC BY-NC-ND 3.0.]

A Sense of Entitlement

Posted on by Brooke Lester

Is it "a sense of entitlement" if students are actually entitled to it? To what are learners in fact entitled?

A recent Language Log post tracks the meaning of the word "entitlement" over time. I was surprised to see how early it acquired negative connotations. Originally meaning something to which a person is legitimately entitled (think of going to college on the GI bill, for example), it came quickly to be used in contexts where a person believes they are entitled to something on which they actually have no legitimate claim. The string, "…sense of entitlement…" is common.

You hear a lot in higher ed these days about the "sense of entitlement" among students, and this does point to a genuine problem. Grade inflation is real, as is a consumer mentality around education: you hear sentiments like "I pay the teacher's salary, so they have to do x for me," where x = "respect my learning style," "cut me a break because of my full-time job," "avoid offending me." (Side point: an instructor is no more employed by her learners than a waiter is employed by the guy ordering a steak.)

But are learners entitled to nothing? I'll offer today two things to which a learner is, in my view, entitled: Clarity regarding time commitments, and clarity regarding assessments.

Time commitments: A learner is entitled to know how many hours the course work is designed to take. Many of my students work long hours (usually in a church), and frankly, should either be working fewer hours or taking fewer classes ("But my scholarship requires…"). It's a real systemic problem in need of address. At the same time, we all know that being squeezed from both sides is the human condition: it's how you develop muscle, and learning to "push back" against one's employer is a survival skill.

I often say,

Here is the difference between me and your church employer. The church will never tell you it has "enough" of your time. It will always want more. Me, I will design my course in such a way that its time requirements are predictable: about so many hours of reading, about so many hours of activities. If you are spending (say) 6-8 hours each week, outside of class, on this 3-credit course, and not getting the results you want, then come see me. I won't simply say, "spend more time." I'll first work with you to help you make the most of that 6-8 hours.

Some students will, in fact, need to put in more time than others, especially if language is an issue, or they have a poor background in reading. Maybe some can only achieve sub-"A" work in the time that they have. But again, if they put in the time, they are entitled to my help on getting the most out of that time.

(Side note to instructors: do you know how many words are in your assigned readings? Do you know what reading rates are typical for your learners?)

Assessments: A learner who attempts to "meet the bar" of expectations is entitled to know where the bars are set. I am a convert to rubrics, and have all the fanaticism of a convert. No matter how carefully I try to write my expectations into paragraphs of prose, it's not enough. The fact is, I do have, in my head, 1) a list of things that I am assessing in an assignment, and 2) a mental picture of what "not good enough," "good enough," and "more than good enough" looks like for each of those things I am looking for. The learners deserve to have access to that "mental map," taken out of my head and spelled out visibly on paper. Here is an example of my assessment rubrics: the assignment is peer review. (Imagine the learners have written a draft of a paper, and are to review one another's drafts; they are graded on their peer reviews, so this is the rubric for that review.)

What challenges have I overlooked regarding time commitments and assessments? To what else, in your view, are learners "entitled"? How do you view student "entitlements"?


[A Sense of Entitlement was written by G. Brooke Lester for Anumma.com and was originally posted on 2012/10/08. Except as noted, it is © 2012 G. Brooke Lester and licensed for re-use only under CC BY-NC-ND 3.0.]

God as Mother and "Not Only a Father" in Bible and Tradition

Posted on by Brooke Lester

Tim Bulkeley of Sansblogue has written a book called Not Only a Father: "Talk of God as Mother in the Bible and Christian Tradition."

Go ahead and read it: the book is freely available in its entirety online.

What is more, the book is participatory:

In each chapter and section there are small blue speech bubbles to the right of every paragraph. Click on them to see what others have said or to comment or ask questions yourself.

Want to talk with others about feminine language for God in the Bible and in the history of Christian thought? Invite them to read with you. Did I mention that's free and online? Open access, baby.


[God as Mother and "Not Only a Father" was written by G. Brooke Lester for Anumma.com and was originally posted on 2012/10/05. Except as noted, it is © 2012 G. Brooke Lester and licensed for re-use only under CC BY-NC-ND 3.0.]

If You Move Your Blog

Posted on by Brooke Lester

By all means, go ahead and change your blog location. I've done it twice myself with anumma.com, first from Wordpress.com to Squarespace, then from Squarespace 5 to Squarespace 6.

But seriously, keep your links intact. I mean, you wanted me to link to your posts, right? And bookmark them? And suggest them to others?

If you find yourself saying something like this:

Please update your bookmarks, favorites, feeds, links, etc.

At least forget the euphemism, and say it like this:

I have broken all your bookmarks, favorites, feeds, links, etc.

Please delete all your bookmarks, favorites, feeds, links, etc.

After all, we were close once, weren't we?


[If You Move Your Blog was written by G. Brooke Lester for Anumma.com and was originally posted on 2012/10/03. Except as noted, it is © 2012 G. Brooke Lester and licensed for re-use only under CC BY-NC-ND 3.0.]

What Makes it Play-skool? Fear and Safety in the Learning Space

Posted on by Brooke Lester

Play-skool and peer review: Commonly, I have my class write a project in stages, with peer review of each stage. Every time I introduce peer review to my learners, they go willingly enough through the exercise, submitting their work to one another and accomplishing their reviews. Then, as reliably as heartbreak, one of them asks optimistically, "So when will we get our real feedback?"

"You just got it," I reply with the even voice of long practice. Cue chill breeze and blowing dry leaves in twilight.

On the next round, the peer reviews are always better: more detailed, more genuine, in closer engagement with the assignment rubrics. The reviewers tackle their assessments as if something were actually at stake, which of course it is.

They have discerned the truth: peer review, in my class, is not "Play-skool." It's the real thing. They are afraid to let one another down, and they should be. A "safe space" is suddenly something that it's up to them to construct.

Slight shift of gears: In a recent faculty discussion about race and racism, we compared notes about how we address systemic racism (or, for another example, systemic mysogyny) as a subject matter in our various courses. As often happens, a colleague mentioned the frustration expressed in class (sometimes professionally, more often unskillfully) by the white man, usually young, who feels targeted in such a discussion. We talked about how to facilitate a safe space for him, but at the same time, we agreed that that's just the way the ball bounces: "The learning space is never completely safe. And shouldn't be." If it were completely safe, it wouldn't be a learning space.

It would be Play-skool.

So. On the one hand, I absolutely believe that the creative activity of making meaning can only happen in a space where fear has been removed…or removed enough, or removed in the right places. I have determined this in the crucible of fairly long experience. But at the same time, if all possible fears have been removed, if the space is made unsurpassingly safe…then we're in Play-skool, and learning is done.

Thoughts coming later on parsing this out more completely. What are your thoughts on fear, learner safety, and Play-skool?


[What Makes it Play-skool? Fear and Safety in the Learning Space was written by G. Brooke Lester for Anumma.com and was originally posted on 2012/10/01. Except as noted, it is © 2012 G. Brooke Lester and licensed for re-use only under CC BY-NC-ND 3.0.]

Twitter Chats for "Introduction to the Old Testament"

Posted on by Brooke Lester

Something new this year for the online Intro class: weekly Twitter chat.

How It's Done

On Twitter, you normally see the posts of people you follow, in an undifferentiating stream with the latest posts at the top. However, you can also view a Search window, and see all posts that include your search term…including posts from people you do not follow. So if a set of participating users agree to include a shared search term in their posts, then they can use that Search window as a chat forum. By convention, such a search term is proceeded by the hash sign (#), and is called a "hashtag": for example, our hashtag is the hash sign followed by our course number, #11500x. We meet Tuesday evenings 7:00-8:00 pm, CT.

Our Course

This course is "Introduction to the Old Testament," a fully online course with about 20 learners, taught by me at Garrett-Evangelical Theological Seminary. The course is completely asynchronous: there is no time at which all learners must participate together in real time. Also, our learning management system (Moodle) does not include a "virtual classroom" module. (It could, but we have not purchased one.) So, a Twitter hashtag chat allows us a space in which to have synchronous engagement with one another.

How It's Going

I am using the one-hour weekly Twitter chats to engage "big ideas" or "essential questions" that are foundational to the tasks they are accomplishing in the course; for example, "What is 'academic biblical studies'?"; "Academic biblical studies as public work"; "Biblical literature as narrative art"; and so on. Participation is voluntary, and has ranged from 10-14 learners (of my 20) to a scant 2.

Since Twitter is a public forum, our followers from outside of our class have discovered our chat and joined us. This includes my colleagues who teach biblical studies elsewhere (some known personally to me, but not all), former students, and other interested outsiders.

Each week, I have assembled a list of prompts, to keep things going or to get things back on track if necessary. I have not had to use them often, but I feel more comfortable having them ready to hand. Some "template" tweets are a good idea to keep handy though: reminding learners to use the course hashtag, announcing the chat and its topic, inviting lurkers to join in, etc.

Nearly all of my learners are brand new to Twitter. In every class I teach, whether online or face-to-face, I like to incorporate an activity that will introduce most of the learners to a new digital accomplishment of some sort. The idea is not that they should all like Twitter, but that they should have regular, guided experiences of braving new digital tasks.

Have you ever used Twitter chats as a teacher or as a learner? Are there other digital "new frontiers" that are part of your course work this year?


[Twitter Chats for Introduction to Old Testament was written by G. Brooke Lester for Anumma.com and was originally posted on 2012/09/27. Except as noted, it is © 2012 G. Brooke Lester and licensed for re-use only under CC BY-NC-ND 3.0.]

Brooke's Despair

Posted on by Brooke

This weekend I tooted an initial draft of an epigram describing a phenomenon that I would dub, "Brooke's Despair":

Early in term, feedback is most urgent, yet assessments are (early in term) most time-consuming.

On reflection, I would augment it:

Early in the term, prompt assessments are most urgent, yet most time-consuming, and most in competition with other demands.

Learners have got to get feedback into their hands as soon as possible. All of them need to assess their strategies for tackling the course work. All of them need to see how the assignment rubrics (which they have, right?) function in practice. Some of them are going to need to withdraw at some point, and need to begin to become aware of the fact (it costs more the longer you wait). In my own experience, the course has to be designed with short assignments, early in the term, graded promptly.

But assessments are most time-consuming early in the term. If I have a Teaching Assistant, we are still learning one another's routines; they are still getting to know my rubrics; they are still getting to know how I want to exchange files. Neither of us has gotten to know the learners yet. And the learners themselves are exacerbating the problem through their own problems, forgivable (students entering the course late off of the wait list; problems in student housing; books not attained by the book store) or less so (sloppy interaction with course documents or LMS).

And assessments are in competition with every other start-of-term manner of thing. Every committee has its first meeting coming up. Everything left hanging in the last term demands to be picked up again. Email boxes fill at a soul-crushing rate. The kids are also back in school, so lives at home are in transition ("Hey, Dad, I'm in accelerated math this year! Can you help me?").

Early in the term, prompt assessments are most urgent, yet most time-consuming, and most in competition with other demands.


[Brooke's Despair was written by G. Brooke Lester for Anumma.com and was originally posted on 2012/09/17. Except as noted, it is © 2012 G. Brooke Lester and licensed for re-use only under CC BY-NC-ND 3.0.]

Shorter Colorado State University (CSU) Story

Posted on by Brooke

So, shorter CSU story: The Establishment went to Vegas with the economy, consumed the winnings whole, scorched the earth in their wake, and now their representatives in the academy (along with their relatively few multi-generational "made men") prepare to dispose of the casualties as Unpersons.

K tx. Please ignore my unsurprised, slacker, vacant stare.

Or did you think that this was just about PhDs "growing stale after three years", and that the permanent erasure of those sidelined by the crash of 2008-2010 was a coincidence here?

"They're gone, that's all. They're gone. And we couldn't do nuttin' about it."[1]

Lee Bessette asks, "Why do we fight?" It is a great question, though I've never thought of the post-boomer generations "fighting" against the self-serving wastefulness of the Baby-Boomer masters of the universe. It's more about being like water, fitting into the nooks and crevices, usually digital crevices (library science, online learning, "alt-ac"). If it's a "fight," then it's not "fighting the power," but rather, "a fight to survive."

(CSU has repented of having used its outside voice and has papered over the mistake. It will now return to speaking its name indoors.)

[Update: Harvard too. h/t @readywriting]

[1]: h/t Driftglass.


[Shorter Colorado State University (CSU) Story was written by G. Brooke Lester for Anumma.com and was originally posted on 2012/09/14. Except as noted, it is © 2012 G. Brooke Lester and licensed for re-use only under CC BY-NC-ND 3.0.]

See You at THATCamp Hybrid Pedagogy

Posted on by Brooke

It's official: I will be attending THATCamp Hybrid Pedagogy in Portland OR, on October 20-21.

Last year, I made it to THATCamp Pedagogy in Poughkeepsie NJ. I would love to see a more-or-less annual pedagogy unconference unfold, in some form or other.

More as we get close, but you can expect some live-tweeting and blogging from THATCamp Hybrid Ped.


[See You at THATCamp Hybrid Pedagogy was written by G. Brooke Lester for Anumma.com and was originally posted on 2012/09/13. Except as noted, it is © 2012 G. Brooke Lester and licensed for re-use only under CC BY-NC-ND 3.0.]

The Real First Day, RBoC

Posted on by Brooke

Classes start a week from tomorrow. But as of today, summer is officially over.

Today begins our 2-day faculty retreat. Then, the rest of the week is new-student orientation. Then, a relatively joyless Labor Day weekend filled with the last-minute labors of course preparation. Then finally, "Good morning, eager young minds."

Here are my start-of-term Random Bullets of Crap:

  • Try to chill out and enjoy faculty retreat for two days;
  • Prepare for student orientation session on online coursework and our Bible Content course;
  • Get advisees safely settled into their sockets for the term;
  • Finish planning, syllabus, and LMS build for online course Intro to Old Testament;
  • Complete last set of Flickr slides for face-to-face course Elementary Biblical Hebrew;
  • Make progress in home stretch of online course in online pedagogy;
  • Make long-postponed repairs to my suits: buttons, hems;
  • Office housekeeping: get plant out of water pitcher into planter, and swap out cafeteria plastic tableware for a couple of sets of proper, if cheap, table settings.

Where are you in the start of the term? What are your own random bullets?


[The Real First Day, RBoC was written by G. Brooke Lester for Anumma.com and was originally posted on 2012/08/27. Except as noted, it is © 2012 G. Brooke Lester and licensed for re-use only under CC BY-NC-ND 3.0.]

Late Work

Posted on by Brooke

I am changing my "late work policy"...again.

My policies go through stages: I slash-and-burn down to apodictic simplicity ("Thou shalt not kill"). Then over the years, as "edge cases" or unforeseen scenarios stack up, the policy grows to resemble the casuistic laws of Exodus or Deuteronomy ("...but if…then…").

The Old

I had had my late work policy leveled to an elegant simplicity:

No late work shall be accepted (except in the case of emergency or disability documented with the office of the Dean of Students, and then at the discretion of the instructor).

Problem One: Volume.

Way, way more students than you think will turn in late work anyway. Distressingly often, they will acknowledge that they had read the policy, but assume nonetheless that there is a grace period. ("Well I just thought….," they begin. In the immortal words from Bull Durham's Crash Davis, "Don't think, Meat; just throw.") Either I cave, and that's it for my policies from then on; or I stick, and it takes only a very few of these episodes to add up to a huge overhead in time-consuming administrative fiddle-faddle. And all this time, what I want to be doing is attend to students accomplishing their work outside the blast zone of "Well I just thought..."

Problem Two: What about us oh-so-hip instructors who assign significant amounts of collaborative projects?

Late collaborative work is a nightmare. It is THE nightmare of us oh-so-hip instructors who assign these projects. The AWOL student's peers are thrown into a tailspin and have to be reassured that they won't be "dinged" for lost productivity. Then, late in the game, the slacker wants to suddenly show up and pitch in...creating more chaos than if they just stayed away from the project altogether, since they have no idea what's going on.

So. Casuistic law: Let there be separate policies for individual work and collaborative work. ("…but if the attacker did not lay in wait for him, but God let him fall into the attacker's hand…").

The New

This is what my new attempt at a late work policy might look like:


Late or Missing Work:

Tip: plan your progress in such a way that you will have something to submit on time, even if it isn't perfect. (Fact: work drafted at the last minute is imperfect anyway.)

Individual Work: Except where noted elsewhere in the syllabus, late individual work will be penalized at a rate of one letter grade during the first 24 hours, and one letter grade during each additional interval of 24 hours.

Collaborative Work: This includes any writing to which peers are expected to reply. When somebody fails to accomplish collaborative work on time, she prevents her peers from succeeding. Penalties for late collaborative work will be assessed at the sole discretion of the teaching staff. Possible penalties include:

  • a score of zero (0): this is the default penalty;
  • a non-zero failing score (for example, 60%);
  • score reduction at some rate based on how late the work arrives;
  • loss of later opportunities for participation (for example, if the project has "moved on" without the late participant).

Learners will not be offered "make up work" to compensate for late or missing work.


The You

So tell me: what improvements can you offer, or what experiences do you have with a late work policy?


[Late Work was written by G. Brooke Lester for Anumma.com and was originally posted on 2012/08/24. Except as noted, it is © 2012 G. Brooke Lester and licensed for re-use only under CC BY-NC-ND 3.0.]

Making Better Ancient-Language Reading Exams

Posted on by Brooke

Some modern-language "reading exams" reflect a sound pedagogy that 1) reflects communicative learning of the target language, 2) offers clarity of expectations for assessment. I would love to see graduate reading exams in Hebrew and Greek achieve that same pedagogical footing, incorporating an extemporaneous oral component and rubrics made available to the learner.

The "reading exam" is well known to many graduate students. Because introductory and intermediate foreign-langauge courses vary from school to school, most Ph.D. programs will ask applicants to take a reading exam to show their proficiency in a given "research language" (often German, French, Italian). In some cases, a program might ask for a similar examination for an ancient ("dead") language: in my field, for example, Hellenistic Greek or Biblical Hebrew.

Reading exams tend to vary with the idiosyncracies of the examining instructor. A departmental guideline might offer expectations or options regarding format: our own offers the student a choice of having two "unseen" texts to translate, or else having to answer comprehension questions (posed in English) on both an "unseen" text and a set of short "seen" texts. Beyond the formatting guidelines, though, expectations are usually pretty opaque. How long will it be? Will the content be related to the learner's field of study? What kinds of errors are important? Is it better to turn in an incomplete exam that is error-free in what it accomplishes, or is it better to finish with some parts left really rough? "Only the Shadow knows."

Some modern language reading exams reflect an expectation that the student has really learned to communicate extemporaneously in the target language, for example by an oral component with "Q and A" conducted in that language. To my knowledge, exams in Hebrew and Greek never include this, because so very few seminaries or divinity schools teach biblical languages using communicative-language/second-language-acquisitions methods. (The overwhelmingly common model is to teach the elementary linguistics of the target language; believe it or not, in many courses, the target material is not even read out loud by the learner.)

Here's what I would like to see in ancient language reading exams:

  1. Extemporaneous, oral component: This could be small or large. At minimum, the exam itself could be simple translation, but preceded by a "social" exchange in the target language (welcoming the student, pleasantries, getting settled). At most, the entire exam could be a discussion, in the target language, of readings that have been accomplished ahead of time by the student. I might like to see an exam that splits the difference:
    • a brief social exchange in the target language;
    • simple translation of a reading not seen before by the learner;
    • a handful of comprehension questions, in the target language, concerning a reading that the learner has pre-read.
  2. Rubrics for assessment: The truth is, not every mistake counts equally in assessment, and (depending on the assessor) some mistakes won't count at all. For example, an assessor might not detract from the student's score if she appears to transform a passive form into an active form while preserving the correct meaning. These matters should be agreed upon within a department, and made available to the student in a rubric.
  3. Word count expectations: In a timed exam, how many words/minute can the student expect to be asked to translate? This needn't be the same for all languages and all programs, but again should be made clear in the rubric. From the very few examples I have been able to put my hand to, I think that 4+ words/minute (250/hour) is reasonable for modern research languages; for ancient languages (Latin, Hebrew, Greek) I would like to think that the same expectation is within reach, while about half that (2-3 words/minute) is usual.

The first item could only be used, of course, with a learner whose instruction has prepared her for it. The second and third items, however, should be incorporated into every program's guidelines for foreign-language reading exams.

What is your experience with "reading exams"? Does your experience with them give you grounds to critically assess my observations or suggestions?


[Making Better Ancient-Language Reading Exams was written by G. Brooke Lester for Anumma.com and was originally posted on 2012/08/22. Except as noted, it is © 2012 G. Brooke Lester and licensed for re-use only under CC BY-NC-ND 3.0.]

Free Your Twitter-Using Learners from the Car Boot? It Will Cost You

Posted on by Brooke

A novel and exciting business model seems to keep coming up a lot lately, one that educators using social media might keep an eye on. It's so "out there" that it might as well be fantasy or science fiction. In fact, here, I'll draw on an episode of the TV show Angel (spin-off from the better-known Buffy the Vampire Slayer) for an example; the scene is a classic ransom swap:

Italian Demon: "You give me the money, I give you the head."
(Angel and Spike stare at him blankly.)
Italian Demon: "You give me the money…I give you the head."
(Angel and Spike stare blankly.)
Italian Demon: "Money, head. Money, head."

What we expect, of course, is that the Italian Demon will make the head freely available to the protagonists, while accepting advertising revenue on the side. Naturally, the Italian Demon would then be free to negotiate with his advertisers concerning how the head might be festooned with banner ads; or whether Angel and Spike might be invited to choose their advertising experience before accepting the head (and their personal preferences sold as data to marketers). Since Angel and Spike are themselves paying nothing for the head, they are comfortably excluded from all decision-making concerning the transaction, and if they don't like the terms, they'll have plenty of friends to admonish them not to complain about free stuff.

But here, instead, Angel and Spike are paying directly for the head. By spending their own money, they become partners in the transaction, rather than passive recipients of whatever the Italian Demon and his actual partners (his advertisers) choose to deliver. (In fact, Angel and Spike will use this agency to decide to fight the Italian Demon instead of pay him, and the Italian Demon will give them a bomb on a short fuse instead of the head. But anyway.)

It's a powerful idea. Earlier this year, I moved this site from Wordpress.com to Squarespace. I did this for a handful of reasons, but one of them is that, since I pay for the service, I get 24/7 living-person customer support. ("You give me the money, I give you the head.")

I wrote last week about some troubling developments at Twitter. As most of us know, Twitter's partners are not its users, but its advertisers: as Jason Lefkowitz has said (quoting Dave Winer), users aren't even riding in the backseat, they're locked in the trunk. Most users won't care much as "promoted Tweets" by BP and KFC take over their feeds, and as Twitter rubs out 3rd-party Twitter applications in order to provide users with a "consistent (i.e., Twitter-controlled) user experience." But it won't just be nerdy app developers that lose out: educators, for example, will likely lose the ability to use Twitter in ways that they choose (like with Storify), if their pedagogical choices don't match up with Twitter's (potentially ever-changing) "rules of the road."

A group of app developers have gone off and created a Twitter alternative, "app dot net." Users pay (currently $50/year) to keep the service working and growing, and so the proprieter's business is with the users, rather than with advertisers. Whereas Twitter is chopping off the development of 3rd-party applications, AppDotNet is largely inhabited by such developers. And here's my point: if as an educator, I want to see a certain kind of user-experience for my learners, then in principle, I can create the app I want or contract with a developer to create it for me.

"You give me the money, I give you the head." It's a powerful idea.

I do love getting free and cheap stuff on the web. I willingly sit through commercials on Hulu. I grudgingly hand over my personal consumer habits to Google. It's one way to do things. But it's not the only way. And for educators who have a stake in taking ownership of the "user experience" and, and in multiplying the possibilities for the learner's ability to experience and manipulate of web content, riding locked in the trunk is not always going to be the best way.


[Free Your Twitter-Using Learners from the Car Boot? It Will Cost You was written by G. Brooke Lester for Anumma.com and was originally posted on 2012/08/20. Except as noted, it is © 2012 G. Brooke Lester and licensed for re-use only under CC BY-NC-ND 3.0.]

Twitter to Learners and Teachers: Run Along and Play...Somewhere Else

Posted on by Brooke

Twitter has published the coming changes to how it allows applications (programs) to use its service, and these changes spell debilitating problems for educators who use Twitter.

Teachers on Twitter overwhelmingly favor some form of "active learning" or constructivist pedagogy: whether in face-to-face or online courses, the idea is that students learn by doing, making, building (often collaboratively). As part of a typical learning cycle, the learner is exposed to knowledge or information or has an experience facilitated by the course designer, and then goes on to make something in response. By working (often with others) to create something (a paper, a debate, a presentation, a tool), the learner makes original connections between data points and thereby constructs new meanings for herself. The result is a perception-changing experience of the subject matter. Make sense? Making a thing > making meaning.

Twitter's changes will make it impossible for many educators on Twitter to facilitate the kinds of activities that accomplish this. For one depressing example, take Storify. Educators use the dickens out of Storify, for good reason. After a student has had some instructor-facilitated, varied experience mediated through (say) Twitter, blog posts, news articles, Facebook, and so on, she can use Storify to make meaning of that experience, and to create a digital narrative of that experience for others. But look at Twitter's "rule 5a" for Time lines:

Tweets that are grouped together into a timeline should not be rendered with non-Twitter content. e.g. comments, updates from other networks.

As far as I can see, this is a bullet in the head for the use of Storify with Twitter.

The "big picture" of Twitter's changes to its API can be seen in the quadrant at the bottom of the announcement…or even better, in Dan Wineman's improvement to the graphic. As I tweeted before, the graphic amounts to this:

  • business engagement, business analytics, consumer analytics = GOOD.
  • consumer engagement = BAD.

In Rene Ritchie's words, "Twitter wants to marginalize apps used by me, and maximize apps that would use me and my data."

Welcome to the Facebook-ization of Twitter, the perhaps inevitable result in services that are free to consumers and depend on leveraging their attention to advertisements. In a later post: "Welcome to App-dot-net."


[Twitter to Learners and Teachers: Run Along and Play...Somewhere Else was written by G. Brooke Lester for Anumma.com and was originally posted on 2012/08/17. Except as noted, it is © 2012 G. Brooke Lester and licensed for re-use only under CC BY-NC-ND 3.0.]

Participant Pedagogy: a MOOCMOOC Production

Posted on by Brooke

(This week, I am a learner in a Massive Open Online Course—a MOOC—that is on the topic of Massive Open Online Courses. Yes, it's a Moocmooc. Our assignment today is a short post about "participant pedagogy.")

In Jesse's post today and elsewhere, he kicks "learner-centered learning" up a notch (Emeril style!): for the course designer, it's no longer just a matter of asking, "What does the learner need in order to accomplish the learning that the course asks of her?" It goes further, asking, "What role does the learner need to take in joining in the design of the course during the course itself?" How do I design a course such that the learners, as part of their learning, make decisions about the structure and expectations of the course?

This raises for me a distinction that I have learned regarding course design: the difference between closed-ended "selected response" assessments (multiple choice, short answer, matching, true/false) and open-ended "constructed response" assessments (learning logs, presentations, discussion, portfolios, productions such as artwork). When we talk about these, we usually are talking about how to assess a student's control of a subject matter: geology, history, a language, mathematics, or whatever.

But Jesse's post makes me review the ways in which I empower students to participate in course design, and I realize that it is mostly in a "selected response" style: I allow the learners to choose among options that I have set. For example, for their final project, I will give the learners a set of rubrics that tell them what that project must accomplish, then I let them choose between, say, a thesis paper or a digital visual essay ("selected response"). What I have resisted doing is to allow them an open-ended choice: "Go ahead and come up with something that will accomplish the requirements of the rubric" ("constructed response").

My reasons for resisting this have more to do with how I perceive my own limitations than theirs: What if I fail to equip them to make good choices? (And by "good choices," I don't even mean "choices that lead to a good product"; I mean, "What if they make choices that don't even lead to a learning process? What if they don't even "fail well"?)

If you are an instructor, what kinds of "participant power" have you given your learners to shape their learning experience: closed-ended "selected response" or open-ended "constructed response"? If you are a student, what kinds of "participant power" have you been given? What kind have you wanted? What has happened as a result?


[Participant Pedagogy: a MOOCMOOC Production was written by G. Brooke Lester for Anumma.com and was originally posted on 2012/08/15. Except as noted, it is © 2012 G. Brooke Lester and licensed for re-use only under CC BY-NC-ND 3.0.]